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Urmila Matondkar's bouncee back

Urmila Matondkar was one of the sexy sirens of Bollywood industries. She has always been appreciated for her talented performances. But all is in the past for Urmila Matondkar. Where has all the glam and talent disappeared? Apparently, her shift to doing unconventional cinema has reflected badly on her mainstream film career.

It's very disappointing to see a talented actor like Urmila not getting roles and films of her talent. But Urmila is known to bounce back, and one hopes that the Rangeela actress will come with a brand new makeover.

After giving films like Tehzeeb, Banaras, Bas Ek Pal, Speed and EMI no one wants to cast Urmila as the main lead. Though her films bombed at the box office she was appreciated for her performance in films like Ek Hasina Thi and Maine Gandhi Ko Nahi Mara . But it couldn’t help her fading career. Her film career has reached an all time nadir, and now she has been cast opposite tele actors in her lastest film. In her last release she was paired opposite Aman Verma. And in her latest, Urmila has been signed opposite television actor Ronit Roy in Jagmohan Mundra’s forthcoming film.

Summery of "MAHARATHI"

Director by Shivam Nair & Cast: Paresh Rawal, Neha Dhupia, Boman Irani, Naseeruddin Shah Maharathi scores on the former aspect but shakes on the latter. This cinematic adaptation of a Gujarati play has able performances from its seasoned cast of senior actors. But the plot that starts off promisingly is flawed by few loopholes.

Subhash Sharma (Paresh Rawal) rescues Jai Singh Adenwala (Naseeruddin Shah) from a car accident and gets recruited as his driver. Jai Singh shares an estranged relationship with his much younger wife Mallika (Neha Dhupia). Like most murder mysteries, even the plot of this one is devised on the undying life-insurance money maneuver. The only difference being that here the person insured (Jai Singh) kills himself and challenges the claimant (his wife Mallika) to prove his suicide as a murder to obtain the insurance amount. Subhash teams up with Mallika to fake the suicide as a murder and mutually share the insurance money.

The basic idea behind Maharathi sounds interesting – murdering a man who has already committed suicide. But the idea isn’t scripted into a flawless screenplay. There are glitches galore. To start with Jai Singh didn’t seem to have a good enough reason to abruptly end his life. Moreover the poor chap was perhaps ignorant on insurance information or would have simply opted to change the nomination, if he didn’t want his wife to win the money. Nevertheless if we still overlook that faux pas for being the basic beginning and base to the thriller, many more uncertainties remain unexplained.

Ideally Subhash’s motivation for the entire manipulation should have ended the moment Mallika dies, since she was the only claimant to the insurance. Strangely he not only continues his concoction but also wins the insurance claim in the climax through reasons unexplained. Further Jai Singh leaves a will assigning his property in the name of Subhash. Now why would any person allocate his entire estate in the name of his driver?

The buildup of the narrative is interesting and keeps you riveted in the initial portions. But as Subhash’s plan goes for a toss in the concluding reels, the story complicates itself while trying to cover one flaw by another. Legality jargons like insurance clause, property-will and power of attorney muddle up the mystery.

However Maharathi scores for its smart dialogues which give Paresh Rawal sufficient scope to exploit his comic timing in the thriller genre. Despite the drama being primarily set in one mansion, the camera moves capably in the interiors to capture the finest frames. Avoiding song-dance-melodrama only enhances the effect.

Maharathi is embellished with competent performances that attempt to camouflage the intermittent imperfections. Naseeruddin Shah is effective as long as he lasts. Om Puri has an even shorter presence. Neha Dhupia manages her part well. Tara Sharma should certainly opt for a dubbing artist as her voice and dialogue-delivery irritates to no end. Boman Irani is brilliant in the climax scene. But the film clearly belongs to Paresh Rawal who even played the part in the original drama. He gets the maximum footage and shows immense screen presence through his comic capers and conniving conduct.